choheewon: 2012

12.13.2012

fashion film

fashion film #3 from Heewon Cho on Vimeo.

Director : Cho Heewon
Perfomence : Choi Soojin
Make-up : Hong Minchul
Hair : Kim Sunwoo
Objet & Clothes : Bell&Nouveau

9.15.2012

Honolulu International Airport, 2012

8.14.2012

We Need to Talk About Kevin, 2011

big things have small biginnings.
라고데이비드가말했다.(프로메테우스)

가끔 숨이 막히도록 누구에게 하고싶은 말이 있을때가 있다.
하지만 "숨이 막히도록" 이란 감정까지 느껴질때.
우리는 그 말을 할 수 없게 된다.
오히려 그에 반대되는 행동을 하게 된다.

많은 잘못된 행동들로.
가득찬 세상을 살고 있다.
하지만 그들의 행동이 잘못된 것이지.
그들이 잘못된 것은 아니다.

말할수없는.어쩔수없는.행동.이있으며.
그행동의원인조차.잘못된.것이라도.어쩔수없음.은존재한다.

그래서우리는.
케빈에대해서이야기를해야하는것이다.

누구의잘못도아니다.

7.15.2012

waking life

Creation seems to come out of imperfection. It seems to come out of a striving and a frustration. This is where, I think, language came from. I mean, it came from our desire to transcend our isolation and have some sort of connection with one another. It had to be easy when it was just simple survival. “Water.” We came up with a sound for that. “Sabretooth tiger behind you!” We came up with a sound for that. But when it gets really interesting, I think is when we use that same system of symbols to communicate all the abstract and intangible things that we’re experiencing. What is “frustration”? Or what is “anger” or “love”? When I say “love” the sound comes out of my mouth and it hits the other person’s ear, travels through this byzantine conduit in their brain through their memories of love or lack of love. And they register what I'm saying and they say yes they understand, but how do I know? Because words are inert. They’re just symbols. They’re dead. You know? And so much of our experience is intangible. So much of what we perceive cannot be expressed. It’s unspeakable. And yet, you know, when we communicate with one another and we feel that we have connected and we think we’re understood I think we have a feeling of almost spiritual communion. And that feeling may be transient, but I think it’s what we live for.

From Waking Life

6.30.2012

_

dovile. 2012.

6.23.2012

.

적벽강.2012

5.24.2012

120524

Richard Wagner - Tristan und Isolde, Prelude

1.1년은기다린.
2.라스폰트리에의메그놀리아.
3.첫오프닝프롤로그는기대했던것처럼.
4.희박한공기속에서숨을쉬고있는느낌.
5.그리고바그너의음악.
6.우울증과자신이충돌하는.
7.내힘으로는어쩔수없는.
8.재밌는것.모든테러와위험에도죽지않고24시간안에해결하던잭바우어형님.이겨내지못한것은우울.

9.어쨋든간에영화를보다가갑자기생각난것은.1분이1시간같다.1시간이1년같다.라는말처럼어느순간을물리적인시간보다더길게혹은평생느끼거나살때가있다는것이다.

9-1.9년전고속도로에서사고가난적이있다.폐차를시켜야할정도로큰사고였는데.예기치못하게찾아온.차와차가충돌하는그순간.아마도길어야1초되는짧은순간.마치느린화면처럼사고장면이눈앞에펼처짐과동시에.나에게중요한지난기억들,사람들이.그리고사고후에일어날일들에대한두려움.그외에도많은생각들이밀려들어왔다.

9-2.이별.헤어짐역시.의도치않게찾아오는순간.이다.헤어지자는말은한마디.이며.마지막으로만나는시간은한시간.이며.그날은많은날중에하루.이다.하지만가끔그런다.가끔.어제의그순간인채로살고.작년의그순간인채로살아간다.하루를일년처럼.그렇게살고있다.

9-3.멈춤.시간은멈출수없다.누구에게나공평하다.하지만가끔시간이멈추곤한다.
9-4.지속.

4-1.그순간.

5.18.2012

personal work

Julian Zigerli AW12 collection (http://www.julianzigerli.com)

Photography Cho Heewon

Film Director Daniel Jon

Stylist Lee Yoonkyung

Makeup and Hair Hong Minchul

Model Park Hyungseop, Yang Hosik

4.23.2012

Harry Escott: Brandon ("Shame" Motion Picture Soundtrack)

Harry Escott is best known for his scores to films such as Hard Candy, A Mighty Heart, Deep Water and Shifty. His collaborations with directors such as Michael Winterbottom, Nick Broomfield, David Slade and Eran Creevy have greatly influenced his approach to composition, encouraging a focus on the capacity that musical sound has to convey meaning and emotion. This focus on the potential for music to function as storyteller is a common theme that threads through all of his work, from the concert platform to the big screen.
Born in London, his musical education began as a chorister at Westminster Cathedral and he went on to complete his studies at The Royal College of Music and Oxford University, studying composition under Robert Sherlaw-Johnson and Francis Pott.
He has composed the scores for several award-winning films such as the BAFTA winning Poppy Shakespeare, Michael Winterbottom’s The Road to Guantanamo (Berlin Silver Bear) and Clio Barnard’s The Arbor, for which he received a nomination in the 2011 Cinema Eye awards. He received a coveted BIFA nomination for his scoring of Shifty in 2008 and has developed the score into a concert piece for his own ensemble, The Samphire Band, which was premiered at last year’s Latitude festival.
Earlier this year, Harry worked with the poet Lavinia Greenlaw on an exciting Artangel project called Audio Obscura (a sound installation designed for train station forecourts). It opened in Manchester Piccadilly station as part of the Manchester International Festival 2011 and then moved on to London’s St. Pancras station.
Harry has just completed the score for Steve McQueen’s latest film, Shame, which has picked up a number of prizes from the film festival circuit. Shame will be in cinemas from December 2011.